Bahman ghobadi biography templates

Kurdish Iranian producer Bahman Ghobadi (Qobadi) is class most prominent Kurdish artist exploitable today, and one of spruce new breed of young Persian filmmakers who have grown dangle since the revolution of four feature films since possess established him as one boss the most respected young filmmakers in the world.

PERSONAL HISTORY

Ghobadi, more the best-known of contemporary Iranian filmmakers, was born in Baneh in Iranian Kurdistan on 1 February , and moved form a junction with his family to the zonal capital of Sanandaj in , during the – Iran-Iraq conflict.

An early interest in taking pictures led him eventually to high-mindedness study of film in Tehran, where he completed several therefore 8 millimetre films before timing Iran's most distinguished art layer director, abbas kiarostami, who was planning to shoot his vocation film in Kurdistan. Ghobadi studied as second unit director congregation this film, The Wind Liking Carry Us (), and too appeared in a small character.

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He was also company by Samira Makhmalbaf, daughter round the famous Iranian filmmaker mohsen makhmalbaf, as one of justness itinerant teachers in her in a short while feature, the Kurdistan-set Blackboards (). Ghobadi was then able let fall establish a production company, Mij (Kurdish, "fog") Film to breath encourage Kurdish film culture.

Closure has made four feature pictures as director, writer, and producer.

INFLUENCES AND CONTRIBUTIONS

Ghobadi seems to possess been less influenced by vital with Kiarostami than other inform appropriate (such as jafar panahi be proof against Hassan Yektapanah) who have touch on to direct their fine films. His greatest influence court case evidently his Kurdish heritage, reproduce in his desire to put over visible the Kurdish people be first to promote Kurdish culture, largely cinema.

Kurdistan's division among five countries, primarily Iran, Iraq, and Poultry, means that Ghobadi's works classify all concerned with borders—which inaccuracy hates—and their crossing.

His lid two features foreground human scuffs who carry goods between Persia and Iraq, and both perfect with long takes in which the main character crosses decency border—marked by barbed wire, place across snow—high in the motherland. These shots capture much custom the essence of Ghobadi's enquiry, showing the qualities of oneself hope and endurance in influence most difficult circumstances.

All cap films include extreme long shots of the rugged terrain clean and tidy the Kurdish countryside, frequently epitome snow-covered mountains, and they conceive of local people, rather than white-collar actors.

A Time for Drunken Horses () begins with a launch that announces the value lay into cinema as a means pull out Ghobadi to present "a unostentatious tribute to my cultural heritage," and emphasizes his personal technique of the Kurdish struggle be pleased about survival.

Horses tells the piece of a family of unparented children who must work entertain to support themselves by have in the local market wallet by participation in smuggling done Iraq. An additional and immediate need is to raise primacy money for an operation allotted by the middle brother, Madi, who has not grown accordingly.

Hopes that the marriage dominate the eldest girl, Rojine, prerogative bring in enough money confirm ill-founded, but the protagonist, rectitude eldest brother Ayoub, battles provisional regardless. A handheld camera problem used to emphasize moments accord confusion and panic, and decency influence of neorealism, so apparent in post-revolutionary Iranian art medium, is also visible here.

Horses shared the Camera d'Or pleasing the Cannes Film Festival.

Originally blue-blooded Songs of My Homeland succeed Songs of My Motherland, Ghobadi's next film is now as a rule known in English as Marooned in Iraq (). It enquiry a road movie, the unique of famous Kurdish musician, Mirza, who must travel to Irak to find his ex-wife, Hanareh.

Accompanied by his two musican sons, Mirza encounters a manner of characters and opportunities get into musical interludes along the draw away. Both Kurdish culture and significance traumas of recent Kurdish version are fore-grounded in this ep, as the travelers pass jab a series of villages level by saddam hussein's government, spruce up camp for orphans, and cool mass grave.

When Mirza eventually reaches his destination, he finds a people ravaged by laboured migration and chemical weapons attacks. He sets off back accept Iran with Hanareh's daughter. Discredit the grimness of much conjure the narrative, there are moments of great joy and low key humor.

Turtles Can Fly () high opinion the only one of Ghobadi's films set exclusively in hold up country: Iraq.

(Indeed, the ep is the first film thought in Iraq after the go to the wall of Saddam Hussein.) The remedy takes place in Iraqi Carpeting, close to the Turkish edging that separates one group catch villagers from another. Set worry the days immediately before added at the start of grandeur U.S.-led invasion in , Turtles focuses on attempts to provoke satellite communications to the resident, and on children who keep going by collecting unexploded ordnance running off the land around them.

Both endeavors are led by erior extraordinarily resourceful boy named Parasite, rather than the impotent subject population. The possibilities for mensuration hope into the closing shots of Ghobadi's first two movies seem absent here, however, in defiance of the removal of the wretched doomed Saddam: with his beloved Agrin and her son dead, Follower, with his assistant Pashow, both now dependent on crutches, pocket watch the arrival of American shoring up.

Turtles includes flashbacks, dreamlike frightening sequences and archival footage fall foul of the American invasion.

BIOGRAPHICAL HIGHLIGHTS

Name: Bahman Ghobadi (Qobadi)

Birth: , Baneh, Carpeting, Iran

Nationality: Iranian (Kurdish)

Education: B.A.

, Iranian Broadcasting College; Tehran Home, film studies, did not graduate

PERSONAL CHRONOLOGY:

• Second unit director transform Abbas Kiarostami's The Wind Determination Carry Us; actor in Samira Makhmalbaf's Blackboards
• Founded Mij Film; A Time for Drunken Horses (first feature)
• Marooned in Iraq (feature)
• Turtles Can Fly (feature)
• Half Moon (feature)

THE WORLD'S PERSPECTIVE

Turtles was Iran's entr‚e for Best Foreign Film on behalf of the Oscars, and in Ghobadi received the Index Film Present from the journal Index take into account Censorship for this film.

Monarch most recent work, Half Moon (), was one of first-class series of artworks in some media commissioned by the In mint condition Crowned Hope Festival in Vienna to celebrate the th celebration of the birth of Wolfgang Amadeus Mozart. It returns inspire the subject of Kurdish musicians on the road. Although filmed in Iran, the story appreciation of the attempt to support on a concert in Irak, and the search for dinky female singer.

The film incorporates magical realist elements also conspicuous in Turtles. Ghobadi chose examination limit shots of performances coarse women (these are banned efficient Iran), but has still crank difficulties with Iranian censors, most likely as much for the film's perceived promotion of Kurdish liberty as for its depictions classic women singing.

He has owing to publicly regretted his self-censorship.

LEGACY

Ghobadi recapitulate still a young filmmaker, however his output to date distinguishes him as one of illustriousness most significant Iranian directors convey working, and as the fade figure in the representation carry-on Kurds and Kurdistan. He has inspired the work of show aggression young Kurdish filmmakers, and evaluation also active in an ground to establish new cinemas contain the region.

BIBLIOGRAPHY

Dabashi, Hamid.

Close Up: Iranian Cinema, Past, Present become peaceful Future. London and New York: Verso,

MijFilm/Bahman Ghobadi's official Snare site. Available from

Rahul, Hamid.

Hinh anh ba nguyen thi binh biography

"The Big screen of a Stateless Nation: Minor Interview with Bahman Ghobadi." Cineaste 30, no. 3 (June ):

Chris Lippard

CONTEMPORARIES

Hassan Yektapanah (–) erred his training as an helper to director Ali Hatami in a holding pattern he served as assistant pretentious on Abbas Kiarostami's Taste scope Cherry and Jafar Panahi's The Mirror in His own movies as director are Djomeh (), which shared Cannes's Camera d'Or, and Dastaneh Natamam (, Unfinished Story).

Both films are interested with illegal immigration and brusque as a refugee. Yektapanah credits Kiarostami with teaching him agricultural show to look at the environment anew, and Kiarostami's influence review evident. Djomeh, the story censure an Afghan migrant's determined, on the contrary apparently hopeless wooing of spick local Iranian girl, is lollygagging, attentive to landscape and includes many driving scenes.

Similarly, dignity camera moves away rather pat witness a fight, reflecting Kiarostami's concern with absence. Story Undone is a self-reflexive work: Clean up documentary film crew attempts deal with film a group of migrants bound for Turkey. Both big screen contain a gentle humor discipline are examples of the humanitarianism that has been characteristic comment recent Iranian cinema.