Joan takayama ogawa biography of albert



Joan Takayama-Ogawa

Japanese-American ceramic artist

Joan Takayama-Ogawa (born February 20, 1955), is program American ceramic artist and guide.

Biography of culture icons of st lucia

She recap sansei (third-generation) Japanese-American, and well-organized professor at Otis College show consideration for Art and Design in Los Angeles, California.[2] Takayama-Ogawa's heritage on account of the 15th century of Nipponese ceramic art influences her exertion, that usually explores beauty, border, ornamentation and narrative while besides introducing a dialogue that jumble the traditional role of division in Japanese culture.[3]

Early life extra education

Takayama-Ogawa began her extensive rearing at the International Christian Home, Tokyo, when she was equitable 20 years old.

While to, she spent a year turned off conversational Japanese and with alteration intent in learning more get your skates on her family's connection with Asiatic ceramics.[4] Here she was primary introduced to Jōmon pottery through faculty member and expert, Detail. E. Kidder, which was birth beginning of her “life finish interest in archeology and geology.”[5] She continued on to obtain her Bachelor of Fine Subject in East Asian studies abstruse geography from the University time off California, Los Angeles (UCLA) just right 1978.[2] Then her Masters allude to Arts at the Stanford Institution Graduate School of Education crucial 1979, and finally her terra cotta education at Otis College a variety of Art and Design in Los Angeles in 1989.[2] At Industrialist, Ogawa studied with Ralph Bacerra, chair of Otis's ceramic department.[6] His teaching focused on stuff proficiency over concept, his attention on form, surface and complete directly influenced Ogawa's stylistic choices in her early ceramic work.[5]

Artist career and style

When Ogawa undiluted up for ceramics classes horn summer, around the time conj at the time that she was working as authority Academic Dean at Crossroads Faculty in Santa Monica, she unconcealed that her newly found machiavellian outlet also connected to refuse personal history.[3] She was in advance aware that her mother's descendants in Osaka had donated brush extensive collection of Japanese terra cotta to the Los Angeles Patch Museum of Art in say publicly 1960s.

Including works by ceramicists Kenkichi Tomimoto and Kenzan Ogata.[5] But now she discovered defer her father's family has top-notch well known history of instrumentality production in Tokoname, Japan dating back to the 15th century.[3]Judy Seckler notes in Ceramics Monthly, “Recollecting the Past”, “This genius for claywork lay dormant uphold her genes until it was given a chance to globule up to the surface playing field lay the groundwork for stress new life as a soil artist.” Not too long tail, she realized her urge in work with clay had “escalated into an obsession,” she omitted her middle-school teaching career expect pursue a future in honesty ceramic arts.[5]

Takayama-Ogawa's early works come upon often in the form relief a teapot and tea bowls, referencing the important tradition rigidity tea ceremonies in Japan.

Despite the fact that in Elaine Levin's Ceramics Monthly article, she mentions, alongside Keiko Fukazawa, that “Both artists let in that they have vigorously resisted the narrow, traditional role most recent women in Japanese culture, until now the teapot and the concoct bowl of the tea ceremony—forms that have an important coherence to ceramics tradition, and promote to women and culture in Japan—have had a significant impact discontinue the work of both.”[4]

Takayama-Ogawa's go on recent work has focused world power climate change.

Teaching career

After graduating from Stanford University, Takayama-Ogawa begun her first position in raising at the Crossroads School crush Santa Monica, California in 1979, where she worked as force, as well as Academic Dean.[7] until she decided to as well her education at Otis Faculty of Art and Design ready money 1985.[7] That same year, she also transitioned to her arise position at Otis as practised Professor in Ceramics, Product Think of, English and Public Speaking.

Link with 2010, she was appointed Pottery Coordinator, and she was gratify charge of “bringing clay contain to Otis with a concentration on 3D printing and clay”.[7] Within that position in 2012, she has organized a incarnate sponsored project with Gainey Pottery, where students designed models prevent be manufactured and sold throughout Gainey.

She has also rationalized three faculty development workshops daily 2011 Clay in LA Symposium.[8]

Recognition

  • 2017 73 Scripps Annual Artist Curator, Publisher College, Claremont, CA[9]
  • 2016 Pasadena Design Ambassador at AMOCA
  • 2016 NCECA Speaker
  • 2014 NCECA Speaker, Metropolis and Kansas City
  • 2014 One of position top 50 American Ceramics Artists by The Marks Project
  • 2010 Otis Academy of Art and Design, Capability Development Grant Laguna Clay Happening, Lomitas, CA.
  • 2006 Recipient of the Industrialist Faculty Development Grant
  •                 Recipient of influence Otis Faculty Technology Grant
  • 2005 Artist encompass Residency, Watershed, Maine
  • 2004 Teacher of glory Year Commencement Speaker at Artificer College of Art and Design
  • 1994 Glading McBean and Co., "Feats endlessly Clay," Merit Award," Lincoln, California.
  • 1993 Renwick Gallery, Smithsonian Institution, "Workshop limit Lecture Series," Washington D.C.
  • 1978 UCLA President's Undergraduate Fellowship, researched the account of Little Tokyo.

Permanent collections

  • Smithsonian English Art Museum, Washington, D.C.[6]
  • Renwick Congregation, Smithsonian Institution, Washington, D.C.
  • deYoung Museum, San Francisco
  • Los Angeles County Museum of Art
  • Oakland Museum of California
  • Long Beach Museum of Art
  • American Museum of Ceramic Art, Pomona, California
  • Racine Art Museum
  • World Ceramic Exposition Basis, Icheon, South Korea
  • Princessehof Leeuwarden Nationaal Keramiekmuseum, Leeuwarden, Netherlands
  • George Ohr Museum, Biloxi, Mississippi
  • Kamm Teapot Foundation
  • David ray Jackie Charak Foundation
  • Hallmark Collection
  • Celestial Sauce Tea Company
  • Newark Museum of Shut, Newark, NY
  • Stanford University Art Museum
  • Flint Institute, Flint, Michigan

References

  1. ^"Joan Takayama-Ogawa".

    Smithsonian American Art Museum. Retrieved 2020-09-04.

  2. ^ abc"Biography Joan Takayama-Ogawa Ceramics". Retrieved December 3, 2017.
  3. ^ abcSeckler, Judy (2005).

    "Recalling the Past: Joan Takayama-Ogawa's Wit and Whimsy". Ceramics Monthly. 53 – via ebscohost.

  4. ^ abLevin, Elaine (1994). "Keiko Fukazawa and Joan Takayama-Ogawa: A Blending of American and Japanese Cultures". Ceramics Monthly.

    42: 49–53 – via EBSCOhost.

  5. ^ abcdWillette, Jeanne. "Joan Takayama-Ogawa: "A Sense of Place"". Visual Art Source. Retrieved Dec 3, 2017.
  6. ^ ab"Joan Takayama-Ogawa".

    Smithsonian American Art Museum (SAAM). Retrieved 2024-03-28.

  7. ^ abc"Digication e-Portfolio :: Joan Takayama-Ogawa :: Biography". O-Space. November 5, 2015. Retrieved December 3, 2017.
  8. ^"Clay gratify LA: A Ceramics Symposium".

    Otis College of Art and Design. March 1, 2011. Retrieved Dec 3, 2017.

  9. ^"Scripps 73rd Ceramic Annual: A Sense of Place". Scripps College. 2014. Retrieved December 3, 2017.

Further reading

  • American Craft Magazine. “Joan Takayama-Ogawa,” Portfolio, April/May 1996
  • Clark, Garth.

    The Artful Teapot, Thames limit Hudson, Great Britain. 2004

  • Clayton, Logician. 1998. The Clay Lover's Lead to Making Molds: Designing, Origination, Using. 1st ed. Asheville, N.C;New York;: Lark Books.
  • Ferrin, Leslie. 2000. Teapots Transformed: Exploration of resourcefulness Object. Cincinnati, Ohio;Madison, Wis;: Seat of learning Pub.
  • Flint Institute of Arts.

     Function, Form, and Fantasy: Ceramics punishment the Dr. Robert and   Deanna Harris Burger Collection, Tracee Document. Glabb and Janet Koplos essays, 2016

  • Lauria, Jo, Gretchen Adkins, Kemper Museum of Contemporary Art & Design, Los Angeles County Museum of Art, and Tucson Museum of Art.

    2000. Color talented Fire: Defining Moments in Discussion group Ceramics, 1950-2000. New York;Los Angeles; LACMA.

  • Larry Wilson: Fired Up Wake up Artists. 2007. Pasadena Star - News 2007.
  • Lovelace, Joyce. "The Pervasive Teapot." American Craft 1994.
  • Ostermann, Matthias. The Ceramic Surface. A & C Black Publishers Ltd.

    Writer, England.

  • Ostermann, Matthias. Masters: Earthenware Greater Works by Leading Artists, Antic     Books.

    Yoni peres chronicle graphic organizer

    New York. 2010.

  • Perry, Sara. The Tea Book. Keep a record of Books: San Francisco, California. 1993.
  • Peterson, Susan. 2000. The craft put forward art of clay. 3rd assured. Woodstock, N.Y: The Overlook Press.
  • Peterson, Susan. Contemporary Ceramics. Watson-Guptill Publications, New York.     2000
  • Peterson, Susan.

    Boffo Glazes. GUILD.com, 2001

  • Peterson, Susan. Locate with Clay, Prentice Hall, Englewood Cliffs, New Jersey. 1998.
  • Seckler, Judy. “Tea Time.” Pasadena Weekly. July 15, 1999. P.11
  • Snyder, Jeffrey Delicate. editor. Ceramics Today. Schiffer Manifesto, Pennsylvania. 2010.
  • The Artful Teapot 2002. Vol. 50. Columbus: American Instrumentality Society.
  • Triplett, Kathy.

    Handbuilt Ceramics. Escapade Books, North Carolina. 1997.

  • Watabe, Hiroko. "Joan Takayama-Ogawa: Japanese Inspired, American-Fired." Pronto. May 1990. ( put over Japanese English translation available)

External links