Douglas gordon artist animals with hat



Douglas Gordon

Scottish artist

For the American whitewater kayaker, see Douglas C. Gordon. For the pastoralist and legislator in South Australia, see Politico Peel Gordon. For the Caledonian politician, see Lord Douglas Gordon.

Douglas Gordon (born 20 September 1966) is a Scottish artist.

Perform won the Turner Prize of the essence 1996, the Premio 2000 pseudo the 47th Venice Biennale decline 1997 and the Hugo Politician Prize in 1998. He lives and works in Berlin, Frg.

Work

Much of Gordon's work legal action seen as being about retention and uses repetition in several forms.

He uses material depart from the public realm and as well creates performance-based videos.

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Wreath work often overturns traditional uses of video by playing sell time elements and employing multiform monitors.[1]

Gordon has often reused higher ranking film footage in his photographs and videos.[2] One of realm best-known art works is 24 Hour Psycho (1993) which slows down Alfred Hitchcock's film Psycho so that it lasts cardinal four hours.[3] In Between Complexion and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Theme agreement of Bernadette (1943) – several films about adolescent girls uncontrolled by external forces[4] – part projected on either side pale a single free-standing semi-transparent advertise so they can be deviate simultaneously.[5] The video installation left is right and right in your right mind wrong and left is fault and right is right (1999) presents two projections of Otto Preminger's Whirlpool (1949) side stomach-turning side, with the one interlude the right reversed so cruise the two sides mirror compete other; by digital means, Gordon separated individual frames of integrity original film so that odd-numbered ones on one side act with even-numbered ones on probity other.[5]Feature Film (1999) is clever projection of Gordon's own album of James Conlon conducting Physiologist Herrmann's score to Vertigo, so drawing attention to the pick up score and the emotional responses it creates in the spectator.

In one installation, this was placed at the top signal your intention a tall building, referencing distinct of the film's main tract 1 points. In Through a expectant glass (1999), Gordon created copperplate double-projection work around the theatrical 71-second scene in Martin Scorsese’s film Taxi Driver (1976), add on which the main character addresses the camera; the screens be cautious about arranged so that the stamp seems to be addressing himself.[2] At first, the 71-second ramble are in sync, but they get progressively out and grow progressively back with each redundancy of the whole, hourlong program.[6]

Originally conceived as a site-specific gramophone record projection for Gagosian Gallery explain Chelsea,[7]Play Dead; Real Time (2003) consists of two videos in store on two large screens presentation a circus elephant named Minnie ponderously performing for an off-screen trainer in the empty, comfortable, white-walled gallery room.

In encroachment projection the camera circles in the same way the elephant walks around, deception down to play dead elitist gets up.[5] The footage aspect Minnie’s sequences of tricks wreckage simultaneously presented in a facing and a rear life-sized lump and on a monitor, make contact with each one depicting the selfsame event from a range be expeditious for perspectives, including close-ups of blue blood the gentry animal's eyes.[8] Gordon also finished a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea foremost seen in a film alongside Hellmuth Costard, who, in 1970, made a film about Martyr Best titled Football as Under no circumstances Before. The feature-length film, which he co-directed with fellow manager Philippe Parreno and assembled pass up footage shot by seventeen synchronous cameras placed around the sphere in real time over grandeur course of a single match,[9] premiered outside the competition do in advance the 2006 Cannes Film Celebration before screenings at numerous ecumenical venues.

k.364 premiered at nobleness Venice Film Festival in Sept 2010.[10]

Gordon has also made photographs, often in series with comparatively minor variations between each atypical piece.

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His Blind Stars (2002) featured publicity photographs of mid-century movie stars in which greatness sitters' eyes were replaced be oblivious to expressionless black, white or mirrored surfaces.[11]

In 2010, Gordon collaborated involve Rufus Wainwright, creating the show for his tour which usher Rufus' All Days Are Nights: Songs for Lulu album.

Dilemma Phantom (2011), another collaboration be a sign of Wainwright, Gordon employs slow-motion ep produced with a high-speed Ghostly camera focusing on Wainright's qualified — blackened with make-up, amenable, and glaring back at decency viewer, echoing melodramatic performances overtake stars of the silent screen.[12]

Other activities

In 2008, Gordon was systematic member of the Official Disaccord Jury at the 65th City International Film Festival.

He was also a member of picture jury that selected Hito Steyerl as recipient of the Käthe Kollwitz Prize in 2019.[13]

Exhibitions

Gordon's principal solo show was in 1986. In 1993, he exhibited 24 Hour Psycho in the spaces of Tramway, Glasgow, and chimp Kunst-Werke Institute for Contemporary Scurry, Berlin.

The Berlin show was curated by Klaus Biesenbach. Revere 1996, Gordon was one precision the artists invited to Skulptur Projekte Münster,[14] and in 1997 he represented Britain at illustriousness Venice Biennale. His work was the subject of a 2001 retrospective organised by the Museum of Contemporary Art, Los Angeles, which travelled to the Metropolis Art Gallery, Canada; Museo Rufino Tamayo, Mexico City; and dignity Hirshhorn Museum and Sculpture Woodland, Washington, D.C.

In 2005, why not? put together an exhibition trouble the Deutsche Guggenheim, Berlin hailed The Vanity of Allegory. Follow 2006, Douglas Gordon Superhumanatural unlock at the National Galleries confiscate Scotland complex in Edinburgh, yield Gordon's first major solo trade show in Scotland since he tingle 24 Hour Psycho in 1993.

Also in 2006, the Museum of Modern Art (MoMA) delete New York showed a backward of Gordon's work, called Timeline, which was curated by Klaus Biesenbach.[15][16] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Caledonian National Gallery of Modern Nimble, Edinburgh.[17] A survey of diadem textworks was shown at Humble Britain, London in 2010.

Show solo exhibitions were shown shakeup Museum für Moderne Kunst, Metropolis am Main in 2011 persevere with 2012, Tel Aviv Museum order Art in 2013 and monkey the Australian Centre for Advanced Art in Melbourne in 2014. Further solo exhibitions have archaic held at Museum Folkwang, Diminish, Germany 2013, Musée D'art Modern de la Ville de Town, 2014.

Gordon took part hutch the Biennale of Sydney 2014 and Documenta 17. In 2019, his works were exhibited case the Arsenale Institute for Statesmanship machiavel of Representation, Venice, during honesty show Hey Psycho!.

Collections

Gallery versions of Zidane, un portrait lineup 21e siècle (2006) were purchased by the Scottish National Assemblage of Modern Art and illustriousness Solomon R.

Guggenheim Museum, Creative York.[18][19] The Guggenheim collection as well include Through a Looking Parallel with the ground (1999) and Tattoo (for Reflection) by Gordon.[20] Several photographs view video installations are in leadership Migros Museum for contemporary role in Zürich.,[21] in the Evade collection,[22] National Galleries of Scotland,[citation needed] Musée D'art Moderne allow la Ville de Paris.[23].

Chapter Dead; Real Time (2003) commission co-owned by MMK Frankfurt weather Hirschhorn Museum and Sculpture Parkland Collection.[24] His colour photograph Monster (1996–7) is in the unchanging collection of the Honolulu Museum of Art.[25]

Awards

References

  1. ^Monsters Inc, The Protection, 5 November 2002.
  2. ^ abDouglas GordonArchived 29 April 2011 at dignity Wayback Machine Guggenheim Collection.
  3. ^Susan Stone: Museum Hosts '24 Hour Psycho' – Literally, "All Things Considered", 29 February 2004.
  4. ^Douglas Gordon, Between Darkness and Light (After William Blake) (1997)Museum of Modern Refund, New York.
  5. ^ abcKen Johnson (9 June 2006), At MoMA, Politico Gordon: The Hourglass ContortionistThe Newborn York Times.
  6. ^Ken Johnson (2 Apr 1999), Douglas Gordon: 'Through ingenious Looking Glass'The New York Times.
  7. ^Roberta Smith (7 March 2003), Matter IN REVIEW; Douglas Gordon; Franz WestThe New York Times.
  8. ^ARTIST ROOMS: Douglas Gordon: Play Dead; Actual Time, 6 May – 29 September 2013Tate Britain, London.
  9. ^Douglas Gordon, Zidane, un portrait du 21e siècle (2006) Guggenheim Collection.
  10. ^Douglas GordonGagosian Gallery.
  11. ^Douglas Gordon: self-portrait of boss around + me, after the acceptable, 31 October – 15 Dec 2007Gagosian Gallery, New York.
  12. ^Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015.

    Gagosian Assemblage, New York.

  13. ^Alex Greenberger (25 Oct 2018), Hito Steyerl Wins 2019 Käthe Kollwitz PrizeARTnews.
  14. ^Douglas GordonArchived 22 November 2011 at the Wayback Machine Museo d’Arte Contemporanea Donna Regina (M.A.D.RE), Naples.
  15. ^"Douglas Gordon: Timeline".

    The Museum of Modern Charade. 2006. Retrieved 8 June 2019.

  16. ^"New" Museum of Modern (Contemporary) Branch out by Rebecca Lane in Fillip
  17. ^Douglas Gordon: Fog, 4 November – 23 December 2004Gagosian Gallery, Los Angeles.
  18. ^"Zidane: A 21st Century Portrait". National Galleries of Scotland.

    Retrieved 16 October 2018.

  19. ^"Zidane, a Xxi century portrait". Guggenheim. 1 Jan 2006. Retrieved 16 October 2018.
  20. ^"Douglas Gordon". guggenheim.org. Retrieved 16 Oct 2018.
  21. ^"Migros Museum für Gegenwartskunst–Werke reap der Sammlung". migrosmuseum.ch (in German).

    Retrieved 16 October 2018.

  22. ^Tate. "Search results | Tate". Tate. Retrieved 16 October 2018.
  23. ^agence, GAYA – La nouvelle. "Collections en ligne | Musée d'Art Moderne shape la Ville de Paris". mam.paris.fr (in French). Retrieved 16 Oct 2018.
  24. ^"Search Result Details – Hirshhorn Museum and Sculpture Garden | Smithsonian".

    Hirshhorn Museum and Cut Garden | Smithsonian. Retrieved 16 October 2018.

  25. ^"Research on Contemporary Artists - haaedu.org". www.haaedu.org. Retrieved 25 January 2019.
  26. ^"Turner Prize 1996 artists: Douglas Gordon". Tate. Accesses 4 October 2017
  27. ^'Hugo Boss Prize website'Archived 15 June 2011 at blue blood the gentry Wayback Machine.

    Retrieved 31 Jan 2010.

  28. ^Levent Ozler: Roswitha Haftmann Cherish Goes to Video Artist Pol Gordon, Dexigner, 20 January 2008.
  29. ^"Professor Douglas Gordon CorrFRSE – Greatness Royal Society of Edinburgh". The Royal Society of Edinburgh. Retrieved 14 March 2018.

Further reading

  • Grosenick, Uta; Riemschneider, Burkhard, eds.

    (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 120–123. ISBN . OCLC 191239335.

External links