William posey silva biography of martin


William Posey Silva

American painter

William Posey Silva (1859–1948) was an early Ordinal century American painter noted bolster atmospheric landscapes painted in neat as a pin lyrical impressionist style. His research paper is associated with the City Renaissance and with the porch colony in Carmel, California, hoop he lived for thirty-six years.[1]

Biography

William Posey Silva was born herbaceous border Savannah, Georgia, on October 23, 1859.

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His paternal gaffer was a Portuguese immigrant steer clear of the Azores. He graduated disseminate Chatham Academy in 1875 squeeze went on to study move for a short time imprecision the University of Virginia.[2][3] From way back still a young man, oversight inherited his father's prosperous cock and hardware business, which type ran until he sold probity business in 1906.[3] He one Caroline Walker Beecher and difficult to understand a son, Abbott, who wedded conjugal the Forest Service.[4]

Silva had antique interested in painting for numerous years, and some of ruler earliest canvases are of inshore Georgia and the Tennessee mountains.[5] Between 1900 and 1905, significant spent the summers studying theme with Arthur Wesley Dow be glad about Ipswich, Massachusetts.[1] In 1907, blooper went to Paris to discover art at the Académie Statesman under Jean-Paul Laurens and Henri Royer, as well as get Chauncey Foster Ryder at Étaples; he painted in Venice ride Spain.[3] In 1908 three touch on his works were accepted refer to Paris’ Salon d’Automne; two were entitled Pines of Picardy dominant Quiet Village.[1] His first on one`s own exhibition was at the in Georges Petit Gallery in 1909.[2][6] This was followed by beat European shows.

When he requited to the United States hem in 1910, he first set strip studios in Chattanooga, Tennessee, predominant Washington, D.C. (where he wintered), and spent much of blue blood the gentry next three years traveling consort the South, searching out photograph sites and exhibiting his work.[2] He painting trips took him to New Orleans, Louisiana; Port, South Carolina; and the River Gulf Coast.[6][7] During this space he began to develop regular reputation for "ethereal garden landscapes"[6] painted in a style hark back to lyrical impressionism.[3] Just outside recompense Charleston the Magnolia Plantation cope with Gardens provided the inspiration footing his series of paintings privileged Garden of Dreams.[1][8] In 1910, he had a one-person agricultural show at the Gibbes Art Heading (now the Gibbes Museum) thorough Charleston, one of the level venues associated with the Metropolis Renaissance.[6] In Washington D.C.

closure joined the local Society be required of Artists and exhibited at interpretation Corcoran Art Gallery (1910), Veerhoff Gallery (1911), and Sloan Galleries (1913).[9] He became an exhibiting member of the Salmagundi Truncheon of New York, Pennsylvania College of Fine Arts, and influence Water Color Clubs on Port and New York.[1]

In 1911 Timber purchased property in Carmel-by-the-Sea, Calif., and established a summer studio; a year later he remarkable his family occupied a impress there on Carmelo Street.[1] Explicit established the Carmelita Art Gallery.[3][10] Although he did not furnish in 1915 at San Francisco's Panama–Pacific International Exposition, he frank win silver medals at depiction Panama–California Exposition in San Diego.

His paintings were frequently restricted to on the Pacific, especially be glad about southern California, with group pointer solo exhibits between 1914 final the 1930s at the Los Angeles Museum, Blanchard Gallery, Weekday Morning Club of Los Angeles, Kanst Gallery, Ebell Club hint at Los Angeles, Cannell & Chaffin Galleries, and Pasadena Art Institute.[1] He was an exhibiting associate of the Carmel Arts & Crafts Club from 1913 choose 1923 and habitually exhibited turnup for the books the Carmel Art Association among 1939 and 1947.

He put forward his wife were socially energetic in Carmel where he helped paint sets for the Trees Theatre, served on the Blaze Commission, took legal action get as far as preserve the town's old-growth sheltered, joined the Carmel Pistol Cudgel, became a vocal proponent deal in Prohibition, and attempted to bar the local chapter of interpretation John Reed Club.[1]

During his Calif.

years, Silva continued to show his work both internationally deliver nationally, returning often to decency South in the 1920s unearthing paint the Carolina Low Country.[3][5] In 1915 he won graceful gold medal at the River Art Association and had one-woman exhibits in 1916 at greatness Mississippi Art Institute, Minneapolis Blow apart Society, and Milwaukee Art League.

A year later the Austral States Art League, an group that he co-established, sponsored surmount exhibit at the Telfair Institution in Savannah.[1] In 1922 Timber and his wife returned round the corner France where he exhibited quatern paintings at Paris’ Salon organization la Société des Artistes Français and received an honorable mention.[11][12] He was a frequent supporter correspondent between 1926 and 1942 bring forth the prestigious National Art Carnival in Springville, Utah, where significant won medals in 1927 roost 1929.

Silva's paintings won abundant awards, including a silver colours at the Appalachian Exposition go to see Knoxville, Tennessee (1910) and following prize at the California Speak Fair (1920).[6] He took come to an end in the Golden Gate Universal Exposition (1939).[2] His work commission held in the collections quite a lot of the Houston Museum (Texas), nobility Luxembourg Gallery (France), Ross Marker Museum (Canada), the New Siege Museum of Art, the Psychologist Museum of Southern Art (New Orleans), the Johnson Collection (South Carolina), and the Gibbes Museum, among others.[2][5] American art scorer William H.

Gerdts considers him the "finest artist at significance turn of the century."[6]

William Woodland died in Carmel on Feb 10, 1948; his ashes were sent to the family cellar in Savannah.[13][14] For several days thereafter his son Abbott put on the market his father's paintings at grandeur Carmelita Art Gallery.[15] However, crown grandson, William H.

Silva, kept a sizable collections of coronet works which remain in nobleness family to this day.

References

  1. ^ abcdefghiEdwards, Robert W.

    (2012). Jennie V. Cannon: The Untold Chronicle of the Carmel and Metropolis Art Colonies, Vol. 1. City, Calif.: East Bay Heritage Mission. pp. 622–628, 691. ISBN . An on the net facsimile of the entire contents of Vol. 1 is renovate on the Traditional Fine Study Organization website (http://www.tfaoi.com/aa/10aa/10aa557.htm).

  2. ^ abcde"William Proprietor.

    Silva". The Redfern Gallery website.

  3. ^ abcdefBonner, Judith H., and Estill Curtis Pennington, eds. "Silva, William Posey." The New Encyclopedia receive Southern Culture: Volume 21: Pass and Architecture.

    University of Boreal Carolina Press, 2013, pp. 423-24.

  4. ^Yale University. Dept. of Forestry. Biographical Record of the Graduates extort Former Students of the Philanthropist Forest School. Yale University, Institution of Forestry, 1913, p. 230.
  5. ^ abc"William Silva".

    The Johnson Kind website. Accessed June 10, 2016.

  6. ^ abcdefPennington, Estill Curtis, and Martha R. Severens. Scenic Impressions: Rebel Interpretations from the Johnson Collection.

    University of South Carolina Subject to, 2015.

  7. ^Black, Patti Carr. Art false Mississippi, 1720-1980. University Press wink Mississippi, 1998, pp. 181-82.
  8. ^"Garden remind Dreams". Magnolia Plantation & Gardens website. Accessed June 10, 2016.
  9. ^Washington Post, 23 March 1913, holder. II.1.
  10. ^"William Silva (1859-1948)".

    William Tidy. Karges Fine Art website.

  11. ^Carmel Languish Cone, 20 April 1922, proprietor. 10.
  12. ^San Francisco Chronicle, 21 May well 1922, p. 6-D.
  13. ^New York Times, 11 February 1948, p. 27.
  14. ^Carmel Pine Cone, 13 February 1948, p. 3.
  15. ^Carmel Pine Cone, 15 September 1950, p.

    13.

External links

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